Our production processes have been developed
over many years with a continual programme of investment in new technology
to ensure our veneers offer outstanding quality.
Quick links: Veneer Production | Slicing
Methods | Layons | Matching
|Inlays | Pressing |
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Veneer Production
Producing veneer is the most effective way of developing high quality, genuine
wood facing materials. It is both economical and environmentally sustainable.
Using the latest production technology maximises the output of veneer allowing
between 800 and 1,000 square meters of veneer to be produced from one cubic
metre of lumber. No other timber process gives such a high yield.
Preparation of Logs
The process starts with the selction of the veneer log. How the log is used
depends upon the following factors
- Straightness
- Heart and tension cracking
- Visible faults (knots, pin-knots, decay)
- Dimension
- Colour
- Texture
- Shape
Our quality standards dictate a veneer surface should be free of defects,
uniformly coloured and evenly textured. This requires a great deal of experience
and knowledge to ensure optimal conversion from log to veneer. After debarking
the veneer log is cut on the band saw to produce flitches.
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Cooking
The next step in the production process is the cooking of these flitches.
Exceptions are species such as Sycamore or White Beech for example where
light or white colouring is desired.
Two effects are achieved by cooking in hot water:
- The wood is given the necessary suppleness to ensure smooth slicing
and perfect quality in production.
- The colour of the produced veneer is influenced by the cooking time.
For example, the colour of original white beech is changed by cooking
to a pink or salmon-like colour.
Depending upon the species of wood and colour demands, cooking periods vary
from one day to one week. A different temperature profile is given for the
various species of wood for the cooking period. This profile has to be kept
precisely to avoid colour defects. Since the quality of the water (hardness,
chemical composition) plays a considerable role in the course of the cooking
operation, each veneer manufacturer has developed their own time and temperature
values.
Slicing
There are various methods of slicing which give different surface effects
to the veneer and this is taken into consideration in processing the log.
For the actual slicing operation the flitches are planed on one or both
sides to ensure that the flitch lies perfectly flat on the slicing bed.
There are two types of veneer slicing machines:
- Slicing machine, horizontal or vertical.
- Peeling machine, rotary cutting, eccentric peeling or stay-log.
Different results are achieved depending on the machine and slicing method
used. Exact knife and pressure bar settings are very important for the quality
of the slicing. |
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Flat Cut
A veneer slicing technique where ... |
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Quarter Cut
A veneer slicing technique where ... |
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True Quarter Cut
The cutting of the log into four quarters. In the case of Oak this gives
a higher portion of veneers with fine flakes. However, the yield is generally
smaller than when converting in other ways. |
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Curl
Curl veneer figuring sometimes termed "crotch" is manufactured
from the intersection of the limb or branch with the main trunk.
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Rotary Cut
step in the production process is the coo colouring is desired.
Two effects are |
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Rift Cut
Quartered fliches which are sliced on the knife in a normal way ... |
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Possible slicing defects include:
- Scratches: These occur as a result of fine knots (for example, in
Sycamore), contamination in or on the trunk (grains of sand, little
stones) or ingrown metal in the wood (nails etc.). These will chip the
cutting edge of the knife and thus cause scratch marks in the veneer
leaf. Such chips are either ground out by using a sandstone or the knife
will have to be changed depending on the depth of the chip.
- Deviating thicknesses: These occur as a result of the log being clamped
wrongly in the machine or wrong setting of the pressure bar. Another
cause is the flitch not lying perfectly on the slicing bed.
- Chatter marks: Regular ribs of different thickness which run across
part of the veneer sheet. The causes are the same as those which can
cause deviating thicknesses.
Drying
In a modern veneer plant the still moist veneer leaves are dried in the
jet drier which also has a flattening effect. Bundles of 24 or 32 sheets
each are taken out of the drier to facilitate handling in the warehouse
later on. Each wood specie has a different drying program with regards to
belt speed and temperature. Veneer of too dry consistency is brittle and
no longer workable. On the other hand veneers which are too moist can become
mouldy and usable.
A final moisture content of approx. 10-14% is considered to be the optimum
value as a result of correct drying. Veneers tend to buckle after drying
due to the different densities given in the veneer leaf. Press driers are
used which both presses and dries the veneer. However, this is only suitable
for slightly buckled veneers. Veneers which are severely buckled (as occurs
in Beech) have to be pressed again.
Clipping
Finally, the veneers are clipped on the clipper to get them ready for distribution.
Veneer leaves are stored in the sequence of cutting enabling leaves to be
selected and matched as required. The bundles are clipped into rectangular
dimensions, as much as possible, with each bundle containing 24 or 32 sheets.
Grading
After the veneers have run through the production process they are graded
into different qualities. These grades vary according to length, dimension
and quality. Generally a difference is made between:
- Interior architectural quality
- Furniture quality
- Panel quality
- Door quality
- Coffin quality
Measuring
Bundle by bundle the veneers move over photocells on a conveyer belt. These
measure the average width of the bundle in centimetres and record the length
of each bundle. After this a computer calculates the square metre content
of each bundle on account of its length, number of sheets and average width
and stores these figures which eventually can be printed out on measurement
lists.
Further inspection, grading and selection are carried out at our UK factories.
At this point the veneers are ready for inspection by our customers and
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Layon
Production
After careful selection of veneers it is possible for “layons”
or sheets of veneer to be produced with specific dimensions. This minimises
natural defects in the veneer and enhances the natural features for use
in a production environment. Layons are produced by cutting the veneer to
width and length using a guillotine and jointing the leaves together to
make sheets. The layons are then ready to be used on panels, doors and furniture
pieces. The methods of jointing involves edge-gluing the veneers together
or stitching the veneers together using a zigzag thread. This allows the
veneers to be put together to create desired pattern effects.
Matching
Veneer leaves are stored in the sequence of cutting, enabling leaves to
be selected and matched as required. Each leaf is subtly different but related
to the adjacent leaves, so that different forms of matching can be achieved.
The gradual variation of grain through the log gives veneers their special
quality of subtle variations. Because of the variation, and because the
size of leaves is obviously limited by the size of log, the selection and
matching of veneers for each job is critical. The art of veneer matching
is to make use of the natural repeat of the grain of the wood from leaf
to leaf to arrange the leaves or slices of veneer to form a variety of different
decorative patterns and effects in keeping with the grain characteristics
of the particular species.
Book Matching
This traditional method of matching is achieved by taking successive leaves
of veneer and reversing each alternate leaf so as to bring corresponding
opposite edges together in a mirrored effect. This produces a symmetrical
balanced pattern of grain and figure.
Random Matching
Veneers of the same species, but not necessarily from the same log, are
deliberately mixed and mismatched to produce an overall grain effect with
no particular pattern. Butt or end grain jointing may be introduced in some
leaves to add to the planking effect.
Mismatching
Leaves from one log are deliberately mixed to give a random planking effect
whilst maintaining an overall consistent grain and colour.
Slid matching
Successive leaves are taken from the same stock or flitch of veneer and
jointed without turning alternate leaves over as in book matching. This
produces a repeat pattern which varies gradually across the panel. This
method is usually most effective when straight grain veneers are used.
Quarter Matching
This is a traditional way of jointing veneers based on the nature of the
growth of the tree from which the veneers are cut. A veneered panel is made
up from four pieces which are book matched both from side to side and from
top to bottom. This method is useful in making up larger panels and when
using species where only small leaves are available. It would normally be
applied to butts, burrs and curls.
Skilful matching ensures that each leaf is subtly different but related
to the adjacent leaves so that different forms of matching can be achieved
The finished layons are cut to length and taped at the ends to improve handling,
finally inspected, packed and delivered to customers The advantages of layons
for manufacturers of doors, panels and furniture is in the control and financing
of stocks and the improved quality of the finished product. Our layons can
usually be supplied on a “just-in-time” basis |
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Inlay Layon
Production
Intricate design patterns often involving different species and bandings,
are created by jointing veneers together using hand tools and skills gained
over many years. |
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Pressing
We offer a further process of pressing veneers onto suitable substrates
such as MDF, chipboard, and doors, cut to size. Panels can be lipped or
unlipped. A light sanding can be applied afterwards. |
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